The film is centered around Alice (Sarah Kennedy), a perpetually horny woman who receives Thee Most Obscene And Hottest sex phone call from an unknown caller. Though there's no full penetration, Telephone Book is, without a doubt, a pretty porny (or " porn chic" as producer Merv Bloch says) affair. I felt giddy the entire time watching it, like I was flipping through a Playboy for the first time. The Telephone Book is smut of the highest order. I forgot to take a picture of the DVD, ok. It should also be noted that Ransom is one of the highest grossing films not available to stream in the U.S. It's a pretty by-the-numbers affair, but only reinforces my belief that Gibson is a nauseatingly boring hack. Not trusting the federal government to get his kid back (because of course), Mullen bypasses them entirely by going on television announcing that he's turning the kidnappers' ransom into a bounty. For me, watching a film starring Gibson-like Ron Howard's Ransom-I don't see the Scottish hero or handsome telepathic bachelor or devoted patriot, but a scummy dude running around looking a bit murderous.īut I bring all this up because that perspective makes Tom Mullen (Gibson) look even more like a conservative straight man's wet fuckin' dream: an obscenely wealthy millionaire whose precious and innocent son is kidnapped and ransomed by Some Bad Guys. My first memory of Gibson is him going off on a drunken and anti-Semitic tirade that "canceled" his career ("canceled" as in, he continued to star in big-budgeted films after disappearing for a couple of years). Jasmyne KeimigWhenever I watch a Mel Gibson movie made more than two decades ago, I'm acutely aware that, contextually, I have no sense of the actor's star power at the time. The person who is going to pay is YOU, dear reader.
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